Space Spin Sore

She doesn't linger on these, though — the point is the new building, which is in fact a remodelling and expansion of a typical Soviet House of Culture, with the same sort of multifunctional high culture you'd have got in one those — classical music, opera, theatre, maybe a bit of panto to bring in the receipts, and some very bad painting exhibited on the walls. If we wish to define something that could be called Baltic urbanism, it would be a pleasure to continue to highlight various options for creating new knowledge and for innovative networking of this knowledge, never seeking to set any particular format in stone. We take a bow and bow out.

With Daddo's help, Henry uses some special moves to steer the house back where it belongs. B Momma is going away for a relaxing weekend with all her monstermom friends, leaving Daddo to mind the family.

Daddo uses his master list to make sure he's got everything under control, and it's all going pretty well…until he loses the list. Then, everything starts veering towards chaos. Daddo accidentally colors the laundry pink, mixes up the drop-offs for the kids, and more. As things spin out of control, Henry notices that Daddo is having trouble, and rallies the family to help him out.

  • Они стали спускаться вниз через это окно, проделанное в небесах.
  • Kui liigesed olal haiget
  • Šokolaadikreem (kookospiim+datlid+kakao) | Vegan chocolate mousse, Perfect desserts, Vegan sweets
  • Folk oiguskaitsevahendite kuunarnukite sidemete poletik

After all, they're the Hugglemonsters! They all work together to clean the house and fix everything up — just in time for Momma to get home, unaware that anything went wrong. Arriving here mentally will take time but we have started somewhere. So congratulations to us all, because soon we will be at the centre — right between east and west! You should also be congratulated on obtaining a very special collaborative magazine, because this is the first printed issue of Deep Baltic and possibly the last of U.

A round of applause, please! We take a bow and bow out.

  • И тут мысль, которая все это время блуждала где-то на задворках сознания Олвина, выкристаллизовалась со всей ясностью.
  • Liigeste blokeerimine Mis on ravi viis
  • Uhine salvi kompositsioon

U19 — Deep Baltic editorial board Deep Baltic is an independent online magazine which runs weekly cultural, historical and travel features about Estonia, Latvia and Lithuania. It was founded in October Outside the capital, which does have its concentration of big businesses and tourist draws, this is unusual. For Latvia, as the poorest country in the Baltics, one of the poorest in the European Union, as one hit extremely hard by the financial crisis — and whose return to growth owed a lot to driving down living standards — this means a lot.

What if there was a future other than managed decline and emigration? Frequently, in discussions with people about the depopulation and decline of their town, and what they can do about it, they will point to Ventspils as an example of what could be done.

1-Minute Exercises to Improve Posture and Reduce Back Pain

Simultaneously with being considered the best managed city, it is considered to be the most corrupt city in Latvia, with its long serving Mayor and former head of the local Communist Party, Aivars Lembergs, seemingly perpetually under investigation for dubious deals and kickbacks, although it has never resulted in him actually being prosecuted — or losing an election.

I had the unexpected pleasure of a tour of the city from its city architect in summera surreal experience of a city managed as a combination of industrial company town, theme park and children's playground. If being more like Ventspils is a possible solution to the rather sad, worn look of many Latvian towns, it is worth finding out exactly what the alternative is — Space Spin Sore how they managed to fund it.

Ventspils' history can be read in the glossy guidebook published by the city council, a contemporary equivalent of the Progress Publishers Guides that would tell you about the achievements of the Soviet republican capitals. The history told therein Valu vahend randme liigeses the usual attempt to create a monoethnic narrative out of Kurzeme, once the multicultural imperial province of Kurland, shifting between the land of the ancient Livonians, to the Grand Duchy — a German governed autonomous part of the Polish-Lithuanian Commonwealth, whose fleet once claimed colonies in West Africa and the Caribbean — though the Russian Empire and independence.

More controversial matters are avoided, from the revolution, when Ventspils — Windau, Vindava — erupted, like all of Kurland, in a ferocious socialist uprising, before being brutally pacified by Space Spin Sore troops — to the brief Latvian Soviet Republic. The silence extends to the Holocaust, when Kurzeme's large Jewish population was exterminated, largely by the Latvian Auxiliary Police.

History then leaps fromand the flight of the liberal Latvian Central Council to Stockholm, to the s environmental movement that would lead, uniquely, to independence.

Inglise keel:Sõnaloend (S)

As a Space Spin Sore, there's nothing in the story that Ventspils tells about itself that could possibly offend a Latvian nationalist. In the s, an oil terminal was built here with the assistance of the American investor Armand Hammer and his company Occidental Petroleum, for the export of fossil fuels from the Soviet interior through the Baltic to northwestern Europe. The large Free Port of Ventspils is still based around this, and it has been a Special Economic Zone sinceduring which it has become a highly profitable capitalist enterprise.

It is the Oil Terminal that first makes it obvious quite what sort of a town you are in, on arrival from the bus station. Nearby is a small square, built around the Lutheran Church, a diminutive piece of Petersburgian classicism, and an ensemble of little houses, wood and stucco, leading down to the historic market square. As you step down towards the market, you can't help but see the Terminal — a continuous metal conduit, stained red and black, suspended on tiny little metal struts, connected by pipes and gantries to domed containers, leading further to spindly, rusty cranes, and in the middle of all of this, dwarfed, a couple of grimy, late 19th century dock buildings.

The sudden shift from the Lilliputian scale of the houses and the church to this Constructivist monster is the most remarkable thing in the town, and a constant reminder of what exactly it revolves around.

In front of it, dotted along the quayside promenade, and the passenger port that can take you to Sweden, North Germany, Denmark, is a series of fibreglass cows. They have been decorated in a variety of costumes.

Suitcase cow, decorated with stamps and stickers from foreign destinations. Riot police cow, with shield and armour.

There's also a little group Space Spin Sore souvenir shops, where you can buy a mug with the face of Aivars Lembergs. Here Daiga Dzedone met us, the chief architect of Ventspils, who in that capacity has been responsible for much of the makeover the city has received. Very kindly she offered us a tour of the city, so we could see how it had been transformed, as she described, from a depopulating and extremely polluted industrial port, its very air poisoned by ammonia, with a town centre people would actively avoid due to the proximity of the dirty, filthy dangerous industry, to a local tourist draw with a blue flag beach, a public art programme, and very unusually for Latvia, a growing population.

Liigeste hindade Budapesti ravi

She avoids taking us around the oil terminal, but it is clear this is where the money for it all has come from — that, and the European Union structural funds that have been ploughed into the country since accession, which are much more conspicuous here than in the pot-holed, half-decrepit, financial crisis-stricken boulevards of other Latvian cities.

In front of these is a hilariously walrus-faced statue of a Red Army general, Jānis Fabricuss, one of the very many Courlanders to throw in his lot with the Bolsheviks.

Its survival is surprising, but then the Red Riflemen do still stand guard in the centre of Riga.

Naha poletik sormeotste liigestele

Arthroosi Sustav kuunarnuk strident working class politics that the riflemen stood for is harder to find. Rather than lingering here, Dzedone whisks us off to the Jūras Vārti House of Culture on the other side of the docks. It's an area dominated by tiny wooden houses, which, at the turn of the century could be built here at a discount, as a means by the Tsarist government to attract residents to an area that, even then, was beset by pollution, with the prevailing winds blowing in precisely this direction.

The result is a little fragment of the sort of villagey townscape you can find in somewhere like Kuldīga: winding streets, recently repaved with EU money, between modest, one-storey clapboard houses, painted yellow, red, blue, green. She doesn't linger on these, though — the point is the new building, which is in fact a remodelling and expansion of a typical Soviet House of Culture, with the same sort of multifunctional high culture you'd have got in one those — classical music, opera, theatre, maybe a bit of panto to bring in the receipts, and some very bad painting exhibited on the walls.

The no doubt worn and creaking Soviet structure has been overlaid with shiny but cheap-looking materials, everything bright and wipe-clean; we get a rather too extensive tour, shown everything about it from the mechanism that lowers and raises the stage to the small and large dressing rooms the latter for stars, the former for dancers and the like.

The landscaping of the green strips between with fountains and lots and lots of flower arranging feels very Soviet though — the place it most resembles Space Spin Sore the region is the Baltic states' apparent antithesis, for its institutionalised Communist nostalgia — Belarus.

KA liigeste haigus

Affluent, clean, conformist, fully employed, and run by a very popular big man. The streets have been repaved, but the seams between the panels here are visibly coming loose. On the other Space Spin Sore of the Free Port is another large Soviet estate of the s, and a much more interesting one — the standardised type, but the Latvian SSR standard rather than a generic Union one, and superior to it both functionally, and, with their expressive brick details, visually.

Dzedone tells us this one is soon to get the styrofoam and lime green paint treatment, and here, if nowhere else in the town, it would be a shame.

So-called Belarus Station housing estate Oddly, however, the sense we get from the city architect's version of the city is that buildings don't really matter. What she wants us to see are things like the camp-sites in the woods, which apparently have a several months-long waiting list, and are indeed very attractively designed, in lightweight, crisp little chalets under pines. She wanted us to see the endlessly sprinkling fountains and incredibly literal sculptures — around ten giant anchors, on all the entrances to the beach, a big chair made up of chains by the car park.

Mountain High Cinema, Sevierville – aasta uuendatud hinnad

The several sports centres, and a seemingly interminable quantity of playgrounds. Cynical local opinion puts these down to Lembergs having recently sired.

No child, apparently, ever has to queue for a slide or a swing in Ventspils. The huge amount of children's infrastructure — from a ski-jump to a genuinely rather delightful children's railway running between the beach and the woods, which doesn't quite compensate for the closure of the city's railway station — helps make the place feel a tad infantile, as if it were planned not to accommodate children, but just for children.

Lohkeda haigusliidesed

For them, too, there is little space for surprise or discovery — everything is spelled out. Architecturally, some of the new work in Ventspils is excellent, especially by contemporary Latvian standards. The City Council itself is housed in an eco-friendly HQ in an oil town! Today the area is apparently popular with Russian émigrés.

Hotelliarvustused Imago KK Times Square Loft Residences Kota Kinabalu Malaisia - lk 1

Similarly interesting is the suburban Pārventa Library, in a workaday area of renovated tenements. Two brittle curved steel and glass curves interlocking around a multi-storey atrium over benches with beanbags, to a competition-winning design by INDIA architects — this one even made its way into the English-language architectural digests.

The confidence of the design is somewhat contradicted by the awful paintings of nudes and landscapes on the wall, the sort of stuff a street-corner tourist painter might think twice about exhibiting; it all feels oversized, the readers made tiny by the space. With a big EU funded concert hall slated to supplement the Jūras Vārti House of Culture, there's almost a sense of over-provision of culture here, more than a town of 40, people could really need.

Viigede ennetamine folk oiguskaitsevahendite abil

It is hard to resent them this city — the boom ended, as it always would, but at least they have something to show for it. You can mock it quite easily. Ventspils, always stay ahead of the curve!

Palun vaata oma broneeringu tingimused üle

For more from Owen Hatherley, see Deep Baltic's interview with Owen about his book Landscapes of Communism, which considers the built heritage of Communist rule throughout central and eastern Europe - including extensive passages on the Soviet architecture of Tallinn, Riga and Vilnius. Many participants were surprised to realise that several of the organisations celebrated their tenth birthday last year. But where do the roots of this new inter-disciplinarity and desire to have a say in spatial issues lie?

It seems that the change in thinking brought on by the westernisation of the younger generations is not characteristic of Estonia and Tallinn alone; similar developments can also be seen in the capitals of Latvia and Lithuania as well as in other post-socialist countries.

Inglise keel:Sõnaloend (S) – Vikisõnastik

The development of urban planning in the post-socialist space The s have recently become a trendy subject again. The insane and often indefinable situation following the immediate aftermath of the collapse of the Soviet Union and the concomitant freedom and the chance to dream engenders a certain nostalgia in our post-economic-crisis world.

The s saw the emergence of new power structures and the articulation of social ideals in former Soviet countries, often in a reactionary manner and in opposition to the former regime, and obviously following the example of the neoliberal market economy that was prevalent in the West at the time.

While the relationship to the Soviet era has now changed somewhat — the tendency to romanticise the West and the need to distance oneself from the East is not as evident now — these initial processes still greatly affect the present day of post-socialist societies.

This was also the first time that the three Baltic states had been invited, but the decision to take part was not an easy one — local businessmen feared that the investment would not pay off. However, after year-long discussions, it was decided that their participation was a matter of national importance and funds were found for a temporary pavilion and exhibition that mostly focused on applied art. The magnificent Baltic pavilion won many awards and plaudits, and for the first time, at least according to the local press, it was possible to show the three small states as unique and non-Russian.

When it comes to urban planning, a more in-depth look at the developments in Estonia and Tallinn in the s is offered by Sampo Ruoppila. See Ruoppila, Sampo. Kaks linna — kaks projekti.

Read more in Feldman, M. Justice in Space. Ecumene 6 2 Landscape Research, DOI: Martinez, Francisco Wasted Legacies?

Youth and Repair after a Troubled Past.

Hurt polve paistes

Read more in Ruoppila, Transitioning into the market economy also meant the birth of a new planning system. The changes in the spatial power lines were also affected by wide-ranging property reform.

Perhaps this is one of the reasons why urban planning, which was perceived as restrictive by Space Spin Sore construction industries, was seen as a rather negative phenomenon. Two main stages are usually discerned in the development of post-socialist planning processes. It centred on the idea that space should be shaped by the market. A weak relationship between the private and public sector was also characteristic of the period. In spatial terms, the most recognisable legacy of this era is increasing urban sprawl and the appearance of new business hubs in the city centre.

The second stage began in the late s, when planning became more considered: for example, the notion of strategic planning gained importance and relevant legislation became more specific. Another milestone for the Baltic states was their entry into the European Union.

This period gave birth to several vision documents, like Tallinn 9. Tafel, K. Tallinn: Eesti Tuleviku-uuringute Instituut.

But unfortunately, Daddo wakes up sneezing. He has a bad cold and can't go sledding. The rest of the family heads out to ride the hills, and they have a good time. But Henry feels bad that Daddo is missing out on the fun, so he comes up with an idea.

Panu Lehtovuori and Sampo Ruoppila have a vital role in articulating alternative approaches to the development of Estonian planning culture, drawing attention to the unique conditions that enable the birth of a new kind of urbanism here, as well as in other post-socialist cities.

Almost anything can happen in a city void of fixed rules, fixed forms, or delivered atmospheres. Lehtovuori, Panu From Privatopia to Liquid Urban Landscape. Majap. Lehtovuori, Panu; Ruoppila, Sampo Available herep.